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Posts Tagged ‘Anne Montgomery’

Wednesday Special Spotlight

Shines On

The reporter and authorAnne Montgomery who shares some history and a little about her book that stems from the history.

 

The children of Colorado City, Arizona and the neighboring town of Hildale, Utah will long suffer the degradations of the “prophet” Warren Jeffs.

“We were told the world wanted to kill us, that people wanted to destroy us and our moral values,” Raymond Jeffs told San Angelo Standard-Times reporter Krista Johnson.

Ray Jeffs is one of the sons of Warren Jeffs, the imprisoned pedophile “prophet” of the Fundamentalist Church of Jesus Christ of Latter-Day Saints.

“I genuinely believed I would be destroyed because my dad told me that constantly,” Roy Jeffs, Ray’s brother said.

Roy continued to believe in his father until three of his sisters confessed that the man had abused them. After hearing his siblings stories, Roy realized that he, too, had been sexually assaulted by his father.

Johnson’s comprehensive reporting on the FLDS cult provides in vivid and horrifying detail the control the elder Jeffs concerted over his people, damage that will take many years to rectify. You can read the complete article here.

Here is a brief intro to my novel dealing with abuse and it’s aftermath. I hope you’ll take a moment to peek into it.

Two Arizona teens find their fates intertwined. Are there any adults they can trust? Can they even trust each other?

Rose Madsen will do anything to keep from being married off to one of the men in her Fundamentalist Mormon (FLDS) community, even endure the continued beatings and abuse of her mother. But when her mentally handicapped baby sister is forced to strangle the bird she loves at the behest of the Prophet, Rose frees the bird and runs away.

Adan Reyes will do anything to escape the abusive foster care system in Phoenix, even leaving his good friends and successful high school athletic career behind him. Ill-prepared for surviving the desert, Adan hits the road only to suffer heat stroke. Found by a local handyman, he catches a glimpse of a mysterious girl—Rose—running through town, and follows her into the mountains where they are both tracked and discovered by the men of the FLDS community.

With their fates now intertwined, can Rose and Adan escape the systems locking them into lives of abuse? Will Rose be forced to marry the Prophet, a man her father’s age, and be one of dozens of wives, perpetually pregnant, with no hope for an education? Will Adan be returned to the foster home where bullying and cruelty are common? Is everyone they meet determined to keep them right where they belong or are some adults worthy of their trust?

BUY LINKS

 

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter

Read Full Post »

Friday Features’

Guest tells about

Rescuing animals

by

Anne Montgomery

“Ms. Montgomery, there’s a cat outside.”

Two of my students stared at me.

“Go and get it,” I said, immediately rethinking that idea after they’d left the room. I hoped the cat wasn’t mean or scared and left the kids with bloody gashes. I tried to stop them, but they were gone.

A short time later they returned, sans cat. “We couldn’t catch it,” they said in unison.

“OK.” I was relieved, but just momentarily.

“It’s so hot out there and the cat is panting.”

I looked at the sweet girl who tried to rescue the animal. “Is it hurt?”

“I don’t know.”

Crap! I’ve had more kitties than I can count over the years. Strays and cats who’d wound up in shelters. But I didn’t want another one. I still had three furry felines – down from seven – most of whom died after long, pleasant lives. And a big cattle dog, as well.

The problem is, I’m getting older, and whenever I’m faced with a new pet I start doing the math. If said animal lives 15 years, how old will I be? What if I die? Who will take care of them. While I know my sweetie pie is as devoted to our four-legged friends as I am, what if we both died?

“So, you think the cat might be injured?” I said again.

She shrugged.

“Let’s go.” I led my students outside and found a sleek, black, kitty with big gold eyes. The creature meowed and ran right to me. I picked him up and prepared to be speared with curved, pointy claws, but he just laid his head on my shoulder, clearly no feral beast.

As it was lunchtime, I put the young cat in my office and, as I ate, he jumped into my chair, curled into a ball and slept at my side. “Well, aren’t you a sweet boy.” I patted his head and he purred loudly. I squinted as he closed his eyes. “But I don’t want another cat.” He ignored me.

Later, the girl who found him appeared and said she wanted to take the cat home. “My mom said it would be OK.”

I looked at the kitty and he stared back at me. “Great!” I said, not feeling great at all. “Let’s find a box.”

After we placed the cat in the container, I waved and watched her walk away. I admit, I was a bit sad. Still, I’d done the right thing.

“We found a cat at school today.”

My sweetie pie peered at me over his glasses, then glanced around the room.

“You’ll be proud of me. I found him a nice home.”

He raised both eyebrows, and didn’t have to say, How unlike you to not bring it home.

Later, I thought about the cat and decided to call the girl’s home to make sure he was settling in. Her father answered the phone.

“I don’t want a cat!” he said, an edge to his voice. “I don’t like cats. I don’t want it in my house. If she keeps it, we’ll put it in a cage in the backyard.”

I sat up. It was close to 110 degrees in the Arizona desert that day. “A cage?” I jotted down the address. “I’ll be right there.”

An hour later, I released the kitty in my living room, and he quickly made friends with Westin, my deaf Bombay cat. And then I noticed the similarity. They were almost identical. They nuzzled one another and again I realized this cat was no stray. He belonged to someone. He blinked at me and meowed. “No, my friend. I can’t get attached to you.”

A few days later, the vet waved a hand-held machine over the cat’s shiny fur. My heart beat quickly. A chip would be good,” I told myself. I’ll take him back to his owners, who are surely missing him.

“No chip.” The vet said.

I exhaled, then stared at my new kitty, who the vet informed me was just a baby at ten months old. I started to do the math, then stopped. I realized it didn’t matter that I’d be pushing eighty when he reached 15. As much as I tried to deny it, this cat was mine.

He head butted my hand and stared at me with those huge gold eyes.

We call him Morgan.

 
Here’s a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

 

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Read Full Post »

Friday Features’

Guest talks about

Learning about romance

by

Anne Montgomery

Once, after reading one of my manuscripts, my agent said, “I really like the historical part of the story. Why don’t you write it as a stand-alone romance?”

I winced. A romance novel? Me?

I have a pretty good idea about where this book is going, don’t you?

I’ll admit here that I’ve been a bit of a snob in regard to that particular genre, which I was surprised to discover is the number one book-selling category on the planet. Not sure why I’ve often scoffed at romance novels. Perhaps it’s the covers: the swooning women with their heaving breasts, the muscular men, all sixpacks and flowing hair. Those books just never sang to me and I never understood why other people wanted to read them.

So, in an effort to learn, I contacted some of my lovely romance-writing friends. I put on my old reporter’s cap and grilled them like a detective looking for clues, my goal to understand why anyone would want to read a romance novel.

Boy, did I learn a lot!

 

“Romance gives us a glimpse into another world,” said author Tina Ruiz. “Sometimes it’s a world that we don’t have around us. Romance novels are like fairy tales to grown up women, where the men are nice, cater to our every whim, and shelter us from everything that might make us sad or hurt.”

“It’s possible the diversity of romance novels is a magnet for diverse individuals,” said romance author Nancy Kay. “From contemporary, to historical, to mystery and thrillers there are any number of themes to attract a number of tastes.”

 

Okay. But why are these stories tops in sales department?

“In my humble opinion it’s because we live in a shattered world that is full of bad stuff and romance is the ultimate good stuff,” said author Catherine Castle. “True love, loyalty, people who care about each other’s happiness.”

“Simple answer – escape,” said author Sloane Taylor. “Escape from the husband/wife who takes you for granted. Escape from the kids demanding all your time with not even a thanks. Escape from the boss who is a major ass. Escape from the bills that keep mounting. And especially in today’s world – escape from the pandemic and it’s personal repercussions.”

 

“The mainly happy endings in a frequently bitchy world,” Australian author Vonnie Hughes explained.

Hughes went on to say that romance novels don’t cost as much as other genres and they tend to be shorter, so don’t require a big investment of time.

I have certainly read books that contained romance, though that part of the story was mostly secondary to the plot, so I was curious as to what exactly defines a romance novel. Of course, my first thought in our post Fifty Shades of Grey world was sex. But Ruiz pointed out that actual sex is not always the big draw.

“It is the illusion of sex that grabs our hearts,” she said. “In a lot of movies, the man and woman don’t even kiss until the very last scene. That moment gets built up from the moment they meet until the end of the book or movie. It’s the part we are all waiting for, so when it happens, it is absolutely wonderful.”

Still sex is often part of the format.

“Reading a book where sex is prominent is pretty awesome,” Ruiz said. “Because it gets portrayed in a different way than we have it in real life. Some men…are not perfectly, let’s say, kempt, when they walk into the bedroom. The men in the books and/or movies are like a Prince Charming. Every hair is in place, his teeth shine, his eyes twinkle, and his breath is probably minty fresh.”

Another rather obvious requirement in a romance novel is that romance needs to be the most important part of the story.

 

“The main plot centers around individuals falling in love and struggling to make the relationship work,” Kay said. “There can be subplots as long as the love story is the main focus of the novel.”

And, there’s something else I learned. Romance novels apparently should not end on a depressing note. There must be an “emotionally satisfying and optimistic ending,” Kay said. “In a romance, the lovers who risk and struggle for each other and their relationship are rewarded with emotional justice and unconditional love.”

 

That sounds nice, doesn’t it? I can now see the appeal of romance novels. Perhaps it’s time I gave one a try.

How about you?

 Here’s a little from my suspense novel based on a true incident. It’s not romance but I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

 

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Read Full Post »

Wednesday Special Spotlight

Shines On

A woman before her time, Anne Montgomery who shares how she was out of her league!

Sometimes we do things that, as Forrest Gump would say, “Just don’t make no sense.”

And I am guilty of such an act, mostly because I ignored the numbers and severely overestimated my abilities.

I have written about the fact that I performed in a community theater production of the musical Company in the past. Though it was initially terrifying, in the end I made friends and had fun. So, it seemed rational that I give it another try. Mamma Mia was coming up and I wanted to give it a shot.

I started singing along to the Mamma Mia CD in my car in February. I thought I was ready. Even the cast descriptions didn’t deter me. Though, admittedly, the fact that the “elder” female characters were listed as “late 30s-early 50s” should have tickled my spidey senses.

This time around, auditions were very different. Four times the number of actors showed up. And there was improv involved. Still, I thought I had a shot at making the cast, until I arrived at the dance callbacks.

My first clue should have been the young lady spread-eagled flat on the floor, stretching in preparation. In fact, the stage was littered with bodies of those limbering up. I was a tad bemused, as I had seen the movie and didn’t notice too much complicated-looking dancing, at least not from the named characters. Had I considered that the stage version might be vastly different from the one with Meryl Streep and her pals, I might have been forewarned.

Those hoping for a spot in the cast filled the stage facing a thin, twenty-something with a high, tawny pony tail and black leggings. She announced that we would be learning a series of dance steps.

“OK! Face the back,” she said, reminiscent of a drill instructor. ” Now, hips left, then right, and spin to the front. And … right arm up high. Good. Now side step. And back. Other side. Full turn to the left and drop to your knees.”

My head popped up. Drop to my knees? Did she mean the ones that have functioned for the last 15 years thanks to the miracle of modern science, infusions injected with big-ass needles that always make me wince? Those knees?

Not wanting to stand out, I dropped to the floor. I almost bellowed like a moose giving birth, but managed to stop myself.

“Now roll over on your butt and jump up.”

In my case, said roll did not occur. I just stared at the choreographer.

“Now … leap!” She took to the air.

Leap? The thing about leaping is there always tend to be landings involved.

The choreographer encouraged us to leap in this fashion. Don’t you agree it hurts just to look at this picture?

“Those of you who want to can bend your leg while leaping. Like this.” She launched herself skyward again. “Point your toes,” she said, alighting gracefully. “Second line, move up to the front.”

Hoping no one would notice, I melted into the back, which would be my primary strategy throughout the ordeal.

After an hour, we took a break. To my horror, five minutes later we were at it again.

“Let’s do another one,” she said. “This one will be easy. Even I can do it.” She smiled prettily.

What I wanted most was to go all Tonya Harding on her kneecaps. “See what you feel like when you’re over 60,” I muttered under my breath, as I mounted the stage.

Another hour passed. I longed for my chiropractor.

I know what your thinking. Why didn’t I just go sit down? Pride, I suppose. Or maybe just plain stubbornness. A few other older women had taken seats. I say “older” here with a caveat. If I had to guess, with the exception of my friend Scott, there was probably no one over 50 auditioning. Clearly, I was pretty much alone as a mid-sexagenarian.

Mercifully, the dancing finally ended. But my humiliation was not over.

Scott appeared. “Hey! You need to go in the back.”

I heard women’s voices singing Dancing Queen from backstage. “Why?”

“The mothers are auditioning,” he explained, using the term applied to the older adult women trying out for a part.

Not knowing how I could have missed the others being called away, I leapt – OK, in my mind, I leapt – onto the stage and bolted through a curtain and down a ramp toward the piano, where about eight women were lined up single file.

“I am so sorry I’m late!” I shouted.

All heads turned toward me. A woman looked up, paper and pencil in hand. “Your name?”

“Anne.”

She scrutinized the document.

The director rose from his seat.

“You’re not on the list,” he said. “You were called back only for a dancing part.”

I suddenly realized that if getting a part hinged on my dancing skills, I would need other plans for the summer. “I am … so sorry!”

I fled.

I found Scott in the seats and chastised him. It wasn’t his fault, though. He simply assumed I should be back there with the others, which in retrospect was sweet.

The director soon dismissed those of us who wouldn’t be invited to participate in any further auditions. Totally dejected, I sneaked out the back door.

When I got home, my sweetie pie stared at me. “I’m sorry,” he said without asking what happened.

I wondered if he’d had a premonition, since he already had a glass of wine poured and waiting for me.

“Maybe they did you a favor,” he said a short time later, as I sat in my jammies feeling sorry for myself, rubbing my aching knees.

I sipped my wine and pouted. “Maybe.”

Later that night, wrapped in two cold packs and a heating pad, I licked my wounds and considered whether I would ever try out for another play.

I’m thinking about it. I’ll let you know.

Here’s a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

 

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Read Full Post »

Wednesday Special Spotlight

Shines On

The thoughtful Anne Montgomery who brings us her take on White Chocolate: a Sweet Faux Pas.

I love chocolate, which does not make me special. Americans consume roughly 18% of the world’s chocolate stash, spending over $18 billion annually on the rich, creamy confection.

As a child, my mother fretted constantly about my waistline and hid sweets from me. In retaliation, I’d scour my dad’s Brooks Brothers suit-coat pockets for change and trundle through the woods to Ben’s Diner, which had a long, glorious rack of candy. Ben, a big man with a giant stomach encased in a white apron, never questioned my daily haul of candy bars – which were big suckers back then.

I’d sit by the brook with my collie Betsy and eat that candy – Snickers, Milky Way, Baby Ruth, Chunky, 100 Grand Bar, M&Ms, Heath Bar – every day.

My mom, exasperated by my girth, would defend herself to strangers. “It’s not my fault,” she’d tell people when she thought they were staring at me. “I feed her baked fish and salad with no dressing.”

I always wanted to say, “I’m fat, Mom, not deaf. I can hear what you’re saying.” But I never did.

The point is, I love chocolate, which brings me to the abomination: white chocolate.

I realize some people like that creepy colorless confection. I also know that, lately, fancy chocolatiers have been experimenting with it in an effort to make it more hip. Still, the fact that white chocolate includes cocoa butter, which is derived from cocoa beans, does not make the substance chocolate. One needs cocoa solids to make actual chocolate. (Yes, I know the FDA claims white chocolate made to their standards is considered chocolate, but I’m not having it.)

White chocolate was first unveiled in the 1930s, a product of the Nestlé company in Switzerland. The theory goes that the substance was invented to utilize excess cocoa butter, but no one is really sure.

The Maya, who were the first people to cultivate cacao trees, probably would be stupefied to learn that their prized chocolate – the beans of which they used as a form of currency – is now offered in this pale, unrecognizable form.

And, even worse, those trendy chocolatiers are doing unspeakable things to this white sweet. You can now purchase organic kale with mustard mixed into your white chocolate. And salted almonds with broccoli. Clearly, there are maniacal minds at work here. Confectioners who make Gene Wilder’s Willy Wonka appear quite sane.

So, what are we to do with this sweet faux pas? Despite my misgivings, I don’t mind a bit of white as a decoration. After all, it’s pretty. But as a real chocolate substitute? Never!

So give me a dab of white chocolate, if you must, but please … hold the broccoli.

Here’s a little from my latest women’s fiction book. I hope you enjoy it.

A woman flees an abusive husband and finds hope in the wilds of the Arizona desert.

Rebecca Quinn escapes her controlling husband and, with nowhere else to go, hops the red-eye to Arizona. There, Gaby Strand – her aunt’s college roommate – gives her shelter at the Salt River Inn, a 1930’s guesthouse located in the wildly beautiful Tonto National Forest.

Becca struggles with post-traumatic stress, but is enthralled by the splendor and fragility of the Sonoran Desert. The once aspiring artist meets Noah Tanner, a cattle rancher and beekeeper, Oscar Billingsley, a retired psychiatrist and avid birder, and a blacksmith named Walt. Thanks to her new friends and a small band of wild horses, Becca adjusts to life in the desert and rekindles her love of art.

Then, Becca’s husband tracks her down, forcing her to summon all her strength. But can she finally stop running away?

Amazon Buy Links

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Read Full Post »

Friday Features’

Guest talks about

Sports casting and word meanings.

by

Anne Montgomery

In a perfect world, sportscasters would get long leisurely looks at the highlights they use in their live broadcasts. They’d get to rehearse a few times, using their own verbiage to describe a sweet double play or a long touchdown run.

But in the real world, there are times when sportscasters don’t get to view the video prior to a broadcast. Imagine trying to look pleasant, sound authoritative and knowledgeable, and having to describe a previously-unseen set of highlights, while someone is yelling in your ear. Now, try to do it when the highlights are poorly written.

At ESPN, there was a group of workers called PAs: production assistants who spent almost all their time observing games and picking plays for SportsCenter broadcasts. I’m sure to rabid sports fans the gig sounds like having one foot in heaven. A PA would be assigned a game, they’d sit back, watch, and pick three or four highlights. All they had to do was get the plays edited and write a script explaining what was happening in the shots they chose. A final score would then be added. That was it.

Generally, the PAs would appear at the anchor’s newsroom desk before the show and hand over their version of the script. I would always go view the video, make my own additions to the copy, and thank the PA. Beautiful.

However, sometimes there were late games that were still in progress during the SportsCenter broadcast. It was one of these contests and a subsequent set of highlights I received that got me into a bit of a pickle.

One evening, a sheet of game highlights was slipped onto my desk just as the crimson camera light blinked on. I smiled and read the intro. Then, as the video rolled, I eyed the script with my left eye and focused on my desk monitor with my right. (Not really, but it sort of feels that way.) And there it was, a screaming line drive hit into the first row seats, beaning a spectator squarely on the noggin. I read the script and immediately knew there’d been a mistake. The copy read that the fan had been hit by a foul tip. I knew this was impossible, but the next play quickly appeared and I had no time to right the wrong.

It wouldn’t be until the postmortem – the meeting that followed each show, a time during which errors were discussed by everyone involved in the broadcast – that I would get the chance to point out the obvious problem.

“Rich,” I said to the PA, who like all of his ilk was just out of college, sans any previous TV experience, and while they were sometimes treated like slave labor, were willing to do almost anything to get into the business. “Here,” I said, pushing the highlight sheet across the conference table. “Look at the first play.”

“The one where the guy gets hit with the foul tip?” He asked without looking at the page.

“That’s the one.” I smiled. “You don’t want to do that again.”

“Do what?” Rich squinted.

PAs lived in fear of making a mistake, knowing there was a long list of kids who’d do anything to get into ESPN. They worked without contracts for so little pay three or four of them often rented tiny apartments together, and they could be terminated without cause. Still, they lined up in droves to work at the network.

“It wasn’t a foul tip that hit the guy, Rich. It was a foul ball.”

“What’s the difference? The producer asked, palms up.

I looked around the table, finding it odd that no one else seemed to understand. “A foul ball is one that goes out of the playing area in foul territory. It’s a dead ball. Nothing can happen on the field. A foul tip, however, is a ball that generally goes directly from the bat to the catcher’s glove and is legally caught. A foul tip is always a strike and, unlike a foul ball, can result in strike three.”

“So?” Rich said defensively.

“A foul tip is a live ball.” I paused, waiting to see the light bulbs go off in the brains of my SportsCenter peers, but they just stared at me. “If there are runners on base, they can steal at their own risk,” I went on. “That makes it impossible for a fan to be hit with a foul tip. It was a foul ball.”

“It’s the same thing,” Rich insisted.

“No, it’s not.”

“Why do you care?” The PA said, sounding petulant now. “No one else does.”

I looked around the room. None of the other members of the crew had chimed in. Generally, in these meetings, everyone had an opinion and no one was timid about sharing.

“I care, Rich. I’m an umpire. And there are people out there who know that. It embarrasses me to make that kind of mistake.”

Rich’s face turned bright red. “You’re just being a picky bitch!” Then he got up and left the room.

The next day, I was called into my boss’s office. He had been apprised of my comments and insisted that I apologize to Rich.

“But he was wrong,” I said. “I never raised my voice or got defensive. I simply explained that he’d made a mistake.”

My boss was unswayed. That the young PA called me a bitch did not seem to matter. I was forced to apologize.

And all these years later, it still rankles.

Here’s a little from my latest women’s fiction book. I hope you enjoy it.

A woman flees an abusive husband and finds hope in the wilds of the Arizona desert.

Rebecca Quinn escapes her controlling husband and, with nowhere else to go, hops the red-eye to Arizona. There, Gaby Strand – her aunt’s college roommate – gives her shelter at the Salt River Inn, a 1930’s guesthouse located in the wildly beautiful Tonto National Forest.

Becca struggles with post-traumatic stress, but is enthralled by the splendor and fragility of the Sonoran Desert. The once aspiring artist meets Noah Tanner, a cattle rancher and beekeeper, Oscar Billingsley, a retired psychiatrist and avid birder, and a blacksmith named Walt. Thanks to her new friends and a small band of wild horses, Becca adjusts to life in the desert and rekindles her love of art.

Then, Becca’s husband tracks her down, forcing her to summon all her strength. But can she finally stop running away?

Amazon Buy Links

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

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Friday Features’

Guest talks about

What are you afraid of?

by

Anne Montgomery

Most people are afraid of something. For me it’s tight spaces. I’m not sure when I first fell victim to this phobia, but it might have been on a high school Friday night when a bunch of us were going to a drive-in movie. (Remember those?) I was encouraged to get into the trunk of a car before we drove through the gates – something about too many kids in a car. In any case, I freaked, and clawed the underside of the hood and yelled until they let me out.

So, I’m claustrophobic, a malady that smacked me in the head one day when I was one hundred feet below the surface of the sea staring at a hole in the ocean floor.

I’d been told about the lava tube we would encounter. I glimpsed the small opening as another diver’s fins disappeared into the darkness. I paused, sizing up the mouth of the cave. It was not much wider than my wingspan and perhaps three-feet tall.

I turned to my sweetie pie, who was hovering by a woman who was uncomfortable diving. I pointed to the mouth of the cave and he shook his head. Then he took the woman by the hand and helped her swim above the tube.

I stared at that hole and wanted nothing to do with it. It looked so small and dark, but then I saw a light flickering inside and, without thinking, I swam to the opening and ducked inside. White sand flowed along the cave floor. I saw fins in front of me and followed. Then, suddenly, the fins and the light vanished, leaving me in total darkness.

I stopped abruptly. Then panicked and considered backing out, but turning around in that narrow space in complete darkness was problematic. The back of my tank caught on the top of the tube. The contact was slight, but was enough to make me sick to my stomach. I dropped to the floor and dug my hands into the sand in an effort to calm myself. I started sucking air, which was bad. The compressed air in a scuba tank is used up quickly on a deep dive. I had to move forward soon, but was frozen.

I raised my head and stared into the darkness. I held one hand before me but could see nothing. I dug my free hand into the sand and lifted the other, pulling myself forward, gripping the sand so hard my hands hurt. Slowly, I moved forward and down. The tube descended beneath the sea floor, angling deeper as I went.

Why had I not brought a light? And why had I been dumb enough to go in without such an important piece of equipment? I continued inching forward. How long was the tunnel? Why had I not asked? The questions swirled. I was tempted to reach to the side to see how wide the tube was, but was afraid to know the truth.

Sometime later, I caught a glimmer piercing the top of the tube, a broken spot in the ceiling that glowed with soothing blue light. I rounded a bend and was graced with an opening. Dim light flooded the cave, illuminating walls that were startling close. I kicked hard and exited. My sweetie pie was overhead. He knew how I felt about small places, so he was concerned.

Later, after a hot shower and a strong, grown-up beverage, we talked about that deep, dark, watery hole.

Yes, I’m glad I tried to conquer my fear, still I don’t think I’ll do anything like that ever again.

Here’s a little from my latest women’s fiction book. I hope you enjoy it.

A woman flees an abusive husband and finds hope in the wilds of the Arizona desert.

Rebecca Quinn escapes her controlling husband and, with nowhere else to go, hops the red-eye to Arizona. There, Gaby Strand – her aunt’s college roommate – gives her shelter at the Salt River Inn, a 1930’s guesthouse located in the wildly beautiful Tonto National Forest.

Becca struggles with post-traumatic stress, but is enthralled by the splendor and fragility of the Sonoran Desert. The once aspiring artist meets Noah Tanner, a cattle rancher and beekeeper, Oscar Billingsley, a retired psychiatrist and avid birder, and a blacksmith named Walt. Thanks to her new friends and a small band of wild horses, Becca adjusts to life in the desert and rekindles her love of art.

Then, Becca’s husband tracks her down, forcing her to summon all her strength. But can she finally stop running away?

Amazon Buy Links

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Read Full Post »

Wednesday Special Spotlight

Shines On

an interesting e-mail to Anne Montgomery who shares the contents with us today. Take it away Anne.

Sometimes, life throws you a rose. Or, in my case, a brownie.

Let me explain.

Recently I received an e-mail.

Hello, Anne!

I was looking at our records and noticed that you have been a Fairytale Brownies customer since 1995. Thank you for loving our brownies!

Our co-founders, Eileen Spitalny and David Kravetz, will be giving special VIP tours of the Fairytale Brownies bakery before our annual Open House next Tuesday and we would love for you to be a part of it. Are you available for a 2:30 p.m. tour? We would love for you and a guest to join them. Please let me know if you can make it. Spaces for the tour are reserved.

Thanks!

How cool is that!

Of course, I jumped right on the opportunity to see the fairies bake the brownies I’ve been sending friends for years. I’ve spread those chocolaty delights worldwide. So, I called my youngest son – who has dabbled with the idea of becoming a pastry chef – and made the date.

Upon entering the massive kitchen in Phoenix, a fabulous aroma makes visitors swoon.

It might be all that butter and those big bricks of chocolate shipped in from Belgium.

It might be giant racks of brownies, with lovely names like Toffee Crunch, Chocolate Chip Blondie, Espresso Nib, Mint Chocolate, and Raspberry Swirl.

Whatever it is, my son and I agreed it was magical.

As we toured the facility, I was on the lookout for the brownie fairies, but they were often shy and elusive. We caught this one hiding behind a massive pile of sugar.

Others were tasked with sorting scads of swirly, cream cheese brownies.

Then there was the freezer. A good 50 yards of frozen treats, packed high to the rafters on both sides. Though I’m a desert dweller and quite averse to the cold, I contemplated remaining in that fridge, setting up a tent and one of those high-altitude sleeping bags, a warm cap over my head, a matching scarf perhaps, and some mittens. In the advent of a zombie apocalypse it might be the perfect place to stay.

Unless, of course, zombies like brownies.

Gosh. Maybe I’ll have to share.

Here’s a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Read Full Post »

Wednesday Special Spotlight

Highlights

A cookbook that is FREE as a gift from us to you for use during this time. Be sure to get your copy today!

While we’re staying home and looking for things to do how about cooking?

How about some relief from the stress and pressure of figuring out what to serve your hungry family at home with you?

Cue a holiday-inspired cookbook written by the following thirteen busy authors, of various ages and genres:

Carol Browne
HL Carpenter
Sara Daniel
Dominique Eastwick
Leigh Goff
C.D. Hersh
Vonnie Hughes
Alicia Joseph
Emma Lane
Sharon Ledwith
Anne Montgomery
Chris Pavesic
Sloane Taylor

These wonderful writers have created recipes that will make your life easy and simple when it comes time to prepare tantalizing appetizers, tasty beverages, mouth-watering cookies, and decadent desserts.

The ABCDs of Cooking with Writers is your go-to recipe book for something special time and then when we get back to entertaining over the holiday seasons, hosting events, or celebrating that special day. Compiled by Sloane Taylor—a gourmet cook in her own right—and designed by mother-daughter duo HL Carpenter, the included recipes have been tested and approved of by the most finicky family members. Oh, and did I mention that it is FREE?

So why not have your cake and eat it too? Yes, pun intended. You’ve got nothing to lose, and time to gain when you download The ABCDs of Cooking with Writers. There’s a recipe for every holiday, celebration, or event in your life. Give yourself a gift with a cookbook from thirteen writers who share their favorite recipes and tips to help relieve the stress in your life.

Download your FREE E-Pub cookbook at Smashwords.

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Friday Features’

Guest talks about

That square screen you carry

by

Anne Montgomery

Hold onto your hats!

I do not now – nor have I ever – owned a cellphone.

Now don’t jump to conclusions and assume I must be an old technophobe. I’m well versed in both MACS and PCs. I can layout a newspaper in InDesign and use Photoshop. I am on Facebook, Twitter, and LinkedIn, and have multiple e-mail accounts, a website, and a blog.

So why no cellphone? First, I’m a teacher who spends a great deal of time and energy trying to keep my students focused on lessons. Surveys show that teens 15 to 18 spend almost nine hours each day utilizing on-line media. Children eight to 12-years-old are logging about six hours daily. These kids are more anxious than their predecessors, with higher rates of suicide and depression.

Now let’s consider what these children might be missing with so much time focused on a screen. Other than the issues involved in falling behind in the classroom, many are not participating in sports and clubs, so social interaction is limited. I know people will argue that they are interacting with others on-line, but as a teacher of communication skills, I know in-person contact is much more important.

Anyone who doesn’t believe that children are addicted to their phones – as are many adults – are kidding themselves.

So, how do we get people to disengage? Dr. Michael Ungar wrote in Psychology Today, “(I)t would appear that at least part of the solution to our children’s cell phone addiction is to offer them equally stimulating and socially engaging opportunities to do things that produce the same brain rewards as … staring at a small blue screen.”

Ungar went on to say that the solution is “providing young people with lots and lots (and lots) of opportunities to stay engaged with each other, to participate in arts and sports activities, and to have safe spaces after school to hang out.”

Of course, we must get kids to buy into putting down their phones and, in my experience, that is almost impossible.

The other problem with phones is the damaging effect they have on relationships. Time reporter Mandy Oaklander wrote in her article How Your Smart Phone is Ruining Your Relationship, “Real-life interactions are dulled when a person feels the urge to check their phone, and the distraction a phone affords one partner doesn’t make the other person feel good.”

Oaklander says phones are interfering with our relationships, leaving us anxious.

“It didn’t matter much how much a person used their device, but how much a person needed their device did. People who were more dependent on their smartphones reported being less certain about their partnerships. People who felt that their partners were overly dependent on their devices said they were less satisfied in their relationship.”

I think my aversion to cellphones is that I’m afraid of becoming like the people I see daily: heads down, consumed by the screen, unaware of what’s going on around them. Who hasn’t witnessed people at restaurants busily texting, ignoring one another? Or the mother, face in her phone, instead of talking with her children? Or, geez, those who feel the need to communicate from a bathroom stall?

I can’t help but wonder what is so urgent.

“Ms. Montgomery, how can you not have a cellphone?” my students often admonish.

“I’m not that important,” I say.

“What if there’s an emergency?”

“Call 911.”

“What if a family member is sick?”

“I’m not a doctor.”

My biggest concern is that it’s getting more difficult to live without a cellphone. It’s almost as if there’s a secret conspiracy to require everyone to get on board. A few weeks ago, I discovered I can no longer go to NFL games. All tickets work only through your phone. No more paper copies will be accepted. The league is determined to get 100% of fans to use their smartphones at the gate.

I sense this line of thinking will creep into use at movies and concerts and grocery stores and restaurants, so, eventually, I will be on the outside of society looking in.

I know what you’re thinking. “Geez! Get a friggin’ phone and join the 21st century.”

I know my time is coming. Still, I wish I wasn’t being forced to join the crowd.

What’s peculiar is that when I tell people I don’t own a cellphone, there is always a beat of silence as they examine me for obvious flaws. Then, oddly, many say wistfully, “I wish I didn’t have one either.”

Think about that.

Now, turn off your phones. Breathe. Watch a sunset. Walk your dog. Have a real conversation. There’s a world out there you can smell and touch and people with whom you can make eye contact.

Try it. You might be surprised.

Here’s a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Read Full Post »

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