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Posts Tagged ‘creative writing’

Tell Again Tuesday

A blog series where we shamelessly share posts from others that we have enjoyed.

 


 

Why There Will Always Be People Who Don’t Understand Your Creative Live

By Lucy Mitchell


This can be a tough one to accept.

If you are a creative person there will always be people in your life who will never: . . .

For the rest of the blog go to:

BlondeWriteMore blog

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Tell Again Tuesday

A blog series where we shamelessly share posts from others that we have enjoyed.

 


 

Why Writer Friends Are Like Lighthouses The Closer You Get To Publication

By Lucy Mitchell


I am likening the process of getting closer to publishing my book to sailing a small boat across a violent sea at night.

It doesn’t matter which route you take to get to publication. From the tweets and blog posts I read from other writers and authors, we all end up in the same little publication boat; in total darkness, weary and desperately clinging onto something, a life dream of being an author perhaps, with no idea where we are going to end up and cursing ourselves for even thinking about setting off on a journey like this.

So, here we all are, alone in our boat, being tossed about by . . .

For the rest of the blog go to:

Blonde Write More’s blog

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Tell Again Tuesday

A blog series where we shamelessly share posts from others that we have enjoyed.

 


 

5 ways to fuel inspiration

By Lorraine Ambers

In this week’s post, I’ll be sharing the top 5 ways I find inspiration for my flash fiction, novels and short stories. So let’s dive straight in.

1. Music is . . .

For the rest of the blog go to:

Lorraine Ambers’ blog

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Tell Again Tuesday

A blog series where we shamelessly share posts from others that we have enjoyed.

 


 

Job Description – Romance Writer

By Lucy Mitchell

As a romance writer I thought it would be fun to create a mini job description.

Vacancy – Romance Writer

Do you enjoy writing about the first flushes of love and want to excite millions of romance readers around the world?

About The Role . . .

For the rest of the blog go to:

BlondeWriteMore blog

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Here’s an interesting idea to get your brain pumping. Medical ethicist Art Caplan recently told CNN that an invitro fertilization procedure using DNA from three different people may be able to prevent illnesses passed from mother to child via the mitochondria, diseases like muscular dystrophy and respiratory problems, or mitochondrial disorders that can lead to heart or liver problems.

The technology, called oocyt modification, involves scooping out potentially mutated mitochondrial DNA from a woman’s egg and replacing it with the DNA of an unaffected donor woman. By doing this the hope is that the transmission of inherited mitochondrial disease can be prevented. Once the DNA is swapped, the egg is fertilized in the lab with the father’s sperm and implanted back in the mother to be carried to term.

Caplan believes that this procedure, often nicknamed three-parent IVF, will be useful in preventing diseases that can be passed down from generation to generation and would be ethical as long as it proves to be safe. We’re all for preventing diseases, but messing with our DNA could potentially be disastrous, in our humble opinion.

The writer in us started crafting scenarios the minute we read this, not the least of which has to do with what one could do using this technology for the opposite of good. Before we go any further in this idea exercise, we must emphasize that any scenarios we list here are purely from our imaginations, and not something that the creators of this procedure have planned. We are not saying we believe this is right or wrong, and we are not inviting comments or opinions about the ethicalness of this subject. This is merely an exercise in how to take an idea or news clip and turn it upside down to create a fiction story.

So, without any further disclaimers, here are some interesting concepts we came up with from reading this article.

  • Stepford Children, based on the Stepford Wives movie concept; perfect mothers and housekeepers who bent to every whim of their husbands. You remember that creepy story from the 60s? Ooh, what could go horribly wrong?
  • The unintentional creation of a new disease from the combining of three parental sets of DNA. Think Zombie War here or I am Legend, but different.
  • A realignment of the basic family concept. Lots of room for conflict there. It takes two females and one male for this procedure. If you changed the basic family unit, the poor child would have two moms nagging him to clean his room, find a wife, get a job. You get the idea. And we won’t even mention the polygamous adult relationships in this complication.
  • When you can create the perfect child, what happens to the rest of the children who didn’t get that chance to be created perfectly? Would there be a rag-tag population who live in a dystopian setting on the border of the perfect children and their perfect three parent families in their perfect world?

These are only four possible story scenarios we came up with using a controversial news clip as a jumping off point. We challenge you to go find your own interesting news article and come up with some new twists using the basic concept of the story. If this helped you see how to use the news to create a book idea, please let us know. We’d love to hear from you.

Interested in learning more about three-parent babies? Check out these websites:

http://www.scientificamerican.com/article/making-babies-with-3-genetic-parents-gets-fda-hearing/

http://www.cnn.com/2014/02/26/health/ivf-mitochondria/

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Photo by Pennie Gibson

We’ve been watching Dancing With the Stars—The All Star Season for several weeks now. Our hometown  favorite Drew Lachey was kicked off early, in spite of the numerous votes we gave him. The show is coming down to the semi-finals and we are rooting for Apollo Ohno, Kelly Monaco, Shawn Johnson, Giles Marini, and Melissa Rycroft. They’re all so good it’s hard to choose a favorite. But this blog isn’t about who we want to win, but how the show is soooo like becoming a writer.

At the beginning of the season there was a segment where the stars told why they wanted to come back and put themselves through 10 weeks of grueling 8-hour day practices, risking injury, sore aching bodies, and possibly failure. We found their reasons interesting.

They came back because:

  • It’s fun
  • They want the challenge
  • They want to get the shiny mirror ball prize this time
  • They want their children /family to see them dance
  • They want to get redemption
  • They want to do it different and go forward this time
  • They fell in love with dancing

As we listened to all their reasons, we realized as writers we share some of the same desires the All-Star Cast members have. We, too, write because it’s fun. We enjoy the challenge of figuring out a plot, finding the story twist that will make our writing unique and memorable, creating characters readers love, or love to hate. We want that shiny prize—that book contract, the New York Bestsellers listing, the money! Sometimes we want to write to encourage our family, or leave a legacy for them. We keep writing because we want to get redemption—to have someone prove that we are worthy of our calling. We want to go forward in our writing—get better, learn the craft.

But most of all we keep writing, going back to that blank page, working through the writer’s block or writer’s avoidance, facing those rejections, because we LOVE to write. And, like Dancing with the Stars Cast, we just can’t stop. Nor would we ever want to.

So, fellow writers, keep on writing and dancing to your own tunes. The prize is within reach. We know that for certain.

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The  Writer’s Alphabet

© C. D. Hersh

Photo from Wikimedia

Every writer should know their ABCs. If you’re like me you might have to sing them to remember what comes after L or Q. Here’s a fresh look at the ABCs as they apply to the writing life.

A ffirmation-As writers we get a lot of rejection.  It helps if we have some affirmation.  So, the next time you get a good comment from a critique partner, an editor, or even your child who says “You’re a good writer, Mommy,” tuck it away in a special file.  Then when you feel like chucking the computer out the window and giving up on writing, pull out those affirmations and tell yourself, “ I can do this.  I am a Writer!”

B rainstorming-Brainstorm without putting checks on your imagination.  Don’t be afraid to think of the most outrageous ideas when you’re brainstorming.  “What if” may be the best tool a writer has to stimulate his imagination.

C reativity-Never let anyone say you don’t have creativity.  The very fact that you want to write shows you have creativity.  Just keep thinking about your story, asking “What if”, and letting all your skills and thoughts take you into the world where your characters live.  Eventually, you’ll find, or create, what you need.

D iscipline-Every writer needs it; most of us do not have it.  The discipline to sit down in front of the computer every day, even when you don’t feel like it, will get you through the rough parts of your stories.

E dit-ISSAC B. SINGER said, “The wastepaper basket is the writer’s best friend.”

Think of yourself as a writer first and an editor second.  Write, rewrite and rewrite some more.  Never, ever, send that first draft to an editor.

F odder-Everything you see and hear and everyone you meet is fodder for a writer.  Writers have great excuses for eavesdropping on the world.  Ideas, character sketches, names, plot twists-you name it and you can find inspiration for it among your family, friends and the guy sitting next to you in McDonalds. Don’t let them know what you’re up to, however.  If they recognize themselves in your next story they may never speak again when you’re around.

G rammar-Webster defines grammar as “a study of what is to be preferred and what is to be avoided in inflection and in syntax.”  When you present your manuscript make sure the grammar is correct.  Don’t depend solely on your computer grammar check; its suggestions are not always right.  Instead, invest in a good English or grammar handbook and use it.  The Associated Press Stylebook and Libel Manual has a nice section on grammar and punctuation that I use all the time.  If you have trouble with grammar find a friend or an adult enrichment class that can help you brush up on your grammar.  You don’t have to be able to diagram a sentence, but you do have to be able to put it together correctly.  That goes for punctuation too.

H ope-Hope should spring eternal in the hearts of writers.  As long as you have something circulating among editors you should always have hope. Never give up, not even when you have enough rejection letters to wallpaper your office.

I deas-There are no bad ideas.  Even the worst idea can provide a springboard for something better.  Keep all your ideas in a file so you can pull them out whenever you have a dry spell.  You’ll be surprised what new, and better, ideas might spring from an idea you considered trashing.

J ournaling-Journaling is a great way to keep your writing flowing, especially on those days when you can’t, or don’t, get to the computer.  Write at night, in the morning, in the bathroom, or any place where you and your journal can go.  Put down your emotions, your thoughts, impressions, snatches of conversations, or visual images.  All these things can be story sparkers or sensory descriptions you might be able to use in some other writing.

K now How-Like every profession, writing is a job that takes skill.  You can’t be an electrician or a plumber without learning the ropes-the skills and the tricks of the trade.  That’s true in writing too.  To become a success as a writer you have to study your craft, learn the best way to write an article, a scene, a chapter, a book.  You have to know how to structure your plots and characters, and you have to become knowledgeable about the business.  Learn all you can about writing and the writing business so you can succeed.

L aughter-Keep a sense of humor about yourself and your writing.  There will be plenty of times that you will get your feelings hurt as a writer-someone won’t like your baby, a critique will rub you the wrong way, an editor might ask for umpteen revisions.  If you can face life, and writing, with humor you’ll be able to get through most anything-and even have some good story material in the process.

M arketing-If you want to sell, then know your market.  Don’t waste your time, and an editor’s time, by sending manuscripts that aren’t suitable for the publication.

N etworking-Do it!  Network with anyone in the writing business that you can.  Editors are besieged with unsolicited manuscripts.  Any time they can connect a face, organization, or conference to you, you are one step ahead of the game.  Take every opportunity to meet, talk with and mingle with editors.  Don’t forget networking with other writers too.  You can’t know all there is to know about the publishing world and what is going on.  Take advantage of any information other writers have to offer.  Getting published is not always about talent.  Sometimes it’s also about being in the right place, or submitting to the right place at the right time.

O rganization-If you can’t find the computer, your copious notes, or the paper and pencil under the clutter in your office, then you can’t write. The more organized you are the less time you’ll spend hunting and the more time you’ll have for writing.

P erspiration-Don’t wait for the Muse.  Writing is one-percent inspiration and 99-percent perspiration.  If you wait for inspiration, you might as well be taking a nap while you’re sitting in front of you computer.

Q uery Letter-Queries can be more intimidating and frustrating than writing the whole darn book.  I know plenty of writers who dread the “Query Letter.”  The query is an editor’s first glimpse of you and your story.  Consider it an important, but necessary, evil of your craft, and learn to conquer it.  The Writer’s Market has great examples of how to write a good query.

R eading-“A room without books is like a body without a soul.” Cicero

A writer who doesn’t read will soon find himself out of touch with the very world for which he is writing.  Read, read, and read everything that you can.  Fiction, non-fiction, newspapers, magazines, cookbooks, cereal boxes, dictionaries, children’s literature, and certainly read in whatever genre in which you want to write.

S olitude-The life of a writer is a solitary one. “Family, friends, and society are the natural enemies of a writer.  He must be alone, uninterrupted and slightly savage if he is to sustain and complete an undertaking.” LAWRENCE CLARK POWELL  Learn when, and how, to shut the door and lock out the world.  Find the time and the place that works best for you.

T enacity-“ A professional writer is an amateur who didn’t quit.” RICHARD BACH

Dr. Seuss had his first book rejected 64 times and was ready to toss it in the trash.  A friend convinced him to try just one more publisher-the rest is history.  Seuss could have remained an amateur if he had given up.  Don’t give up.  You might miss your chance at a bestseller.

U niversality-Want to sell?  Then make sure your stories and articles have a universal appeal. There is nothing new under the sun, just a different way to tell it.  Stories with universal appeal never go out of style.

Vi rgin Reader-Every writer needs one of these.  We get so close to our “babies” that we can’t see their flaws.  But, believe me, an editor will.  So, find someone you trust to give you fair, constructive criticism-someone with a fresh set of eyes to look at your writing-and let them be a Virgin.

W rite-“Planning to write is not writing.  Outlining a book is not writing.  Researching is not writing.  Talking to people about what you’re doing, none of that is writing.  Writing is writing.” E. L.  DOCTROW

‘Nuff said.

X ercise-(Yes, I know it’s not spelled that way) Writing takes a lot of mental power but doesn’t exercise the other body muscle groups (except the fingers).  So, to keep yourself healthy-and maybe even sneak in some writer avoidance time-take time to exercise.  You’ll come back to the keyboard refreshed and awake. A bonus-getting the endorphins revved can even kick your brain into gear and help you solve whatever writing problem you’ve been facing.

Ying and Yang—A writer needs balance, in his life and on the page. Too much time alone with the book isn’t a good thing. Neither are pages of narrative or back story with no dialogue or action. Find that happy medium in your life and your literary pursuits.

Z eal-“Writing is a dog’s life, but the only life worth living.” GUSTAVE FLAUBERT

If a writer’s “dog’s life” isn’t what you want, then you had just as well close your notebook, break your pencil in half, and find something else to do with your life.  Zeal, passion and a love of your work will keep your writing fresh and alive.  If you don’t like what you are doing you probably will not succeed at it.

Do you have a letter you’re particularly good at or one that you suck at?

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